Friday, February 3, 2017

Chris Day stories


Here's flatland dynamo Chris Day, at the peek of the AFA Masters era, ripping it up on flatland in 1988.

At the beginning of August in 1986, I flew from San Jose to Southern California to start my new life working a Wizard Publications.  I was so nervous about it all that I got a horrible case of the hives, and had to wear long sleeve, button up shirts to work for two weeks.  And Jenkins and Lew gave me a hard time about that, thinking they had accidentally just hired a button up dork.  I was a dork, alright, just not a button up one.  Once the hives were gone I went back to rockin' my T-shirt collection.

I moved into Gork and Lew's two bedroom apartment, and slept on the couch for a couple of months.  They showed me around the office, around Redondo Beach, and took me to their flatland area, The Spot.  The Spot locals at the time were Lew, Gork, Craig Grasso, and this young kid named Chris Day.  Chris was about 14 or 15 then, and did these amazing flail boomerangs, whipping his legs around and snapping the trick like no one else at the time.  Chris was amazing to watch.  When R.L. Osborn was in town, he'd usually come ride at The Spot once or twice a week, and it was obvious he was keeping tabs on Chris.  Chris was one of the young generation of riders, and R.L., an old school veteran then, didn't want to miss any progression happening in the sport.

As a young kid, though, Chris could be kind of annoying.  I soon learned that he would ride over to our apartment, barge in the the door without much of a knock, and head straight for the cookie jar Gork kept well stocked.  We didn't really mind him eating cookies, but it would have been cool if he at least asked first.

When the magazine deadlines were close, Andy, Lew, Gork, and me all wound up working late at Wizard, which was a small warehouse with an office area up front.  All of our offices were in the back, along the walls of the warehouse.  Sometimes Chris would ride over there at night to hang out.  But we were busy doing the work we should have been doing in the previous three weeks, and we didn't need any more distractions.  Gork would always have his ghetto blaster blasting metal, usually Metallica, on those nights.  In between songs we'd often hear Chris knocking on the warehouse door and yelling, "Hey guys!  It's me!  Chris!  Hey guys!  Let me in!"  We'd laugh, and the next song would start, then we couldn't hear him anymore.  When that song stopped, we'd hear Chris yelling and knocking again.  One might he did that for about two hours.

It wasn't that we didn't like Chris.  Generally speaking he was a pretty cool kid as well as a great up and coming rider.  But he would wear on our nerves, and we just needed some time without him around now and then.

As the fall progressed, Gork, Lew, and I decided to move into a three bedroom apartment, so I could get off the couch.  We looked around for a while, an found one about a half mile away in Hermosa Beach, right down the alley from where Andy and his wife Kelly lived.  We moved in one weekend, and decided to not tell Chris that we moved.  We still went down to The Spot every night and rode with him, but we just "forgot" to tell him we moved.  Every once in a while he'd say, "I was knocking on your door yesterday, and nobody answered."  One of us would tell him we must have been at the store or something.  It took Chris three weeks to figure out we moved to a new apartment and then find it.  After that, he went back to raiding the cookie jar until Gork stopped stocking it.

Somewhere along that time, Gork's grandma sent him some homemade persimmon brownies.  No offense to Gork's grandma, but they didn't taste good.  We had a new cookie jar then, some ceramic animal or something.  And we stopped leaving cookies out for Chris to eat, so he left the jar alone.  So grandma's persimmon brownies sat in that jar as kind of a science experiment.  After five or six weeks, they all had about a quarter inch of hairy mold on them.  We had a party one weekend, and Chris showed up, along with a bunch of other people.  When the chips and other munchies ran out, Chris asked if we had anything else to eat.  We'd all had a few beers at that point, and one of us said, "there's some homemade persimmon brownies in the cookie jar."  I think Chris had snagged a couple beers, despite being under age, so he was a bit buzzed.  He opened the cookie jar and started chowing down on the mold covered persimmon brownies.  I think he ate all of them.  We just sat there laughing our asses off.

I soon got laid off and moved south to Huntington Beach to work for the AFA, and I only ran into Chris Day at contests then.  He kept improving and rocked on flatland for quite a while.

Years later, when I was working on my video, The Ultimate Weekend, Jess Dyrenforth called up and said he'd been riding this cool ramp near San Diego, and that he wanted me to come shoot some video.  So I headed there with Randy Lawrence.  Much to my surprise, along with Jess were Pete Augustin, underground legend Mike Tokemoto, and Chris Day.  Chris was doing these amazing sweeper footplants on the spine.  None of us had seen anything like them before.  Chris also did these sprocket slides to revert.  I wasn't sure what to call them, kind of a 540 sprocket bash.  But they were fucking amazing.

You can find that section of video here.  Go to 38:03 in the video.  Here are a couple angles of Chris Day's sweepers in 1990.


As of the late summer of 2023, I'm going in a new direction with my writing.  Check out my new stuff on my Substack:

Tuesday, January 31, 2017

Things don't always go as planned... #2

 More from the 2-Hip KOV at Mission Trails, spring 1991 (I think).  Mike "Crazy Red" Carlson, no-footer over Death Jump that didn't end well.  Below, Bill Nitschke with a 25 foot jump to front wheel hang.  Ouch.  Oh yeah, the dirt at Mission Trails was sand over hardpack, basically, it was like bailing on sandpaper.
 Crazy Red again.  He was a one man crash real that day.  The photo above is a second before the photo below.  Even his bike was pissed off at him that day.


 Keith Treanor, first attempt over Death Jump led to hitting the eject button. 
Crazy Red... lamenting gravity.

My main blog now is about building creative scenes, check it out:
 The White Bear's Making a Scene

Things don't always go as planned #1

 I've been getting some stills off video I shot for the DIY book I'm working on.  Here's a few that didn't work out as planned.  Not sure who the top one is.
 Dave Clymer, Dover, Newport Beach, CA, 1993
Chris Moeller, Twin Palms, I think.  1993
 Moeller again, Dover, Newport Beach, 1993
Uploaded this one by accident, Keith Treanor, with the most clicked turndown I've seen him do.  2-Hip Mission Trails KOD.  '91.

My main blog now is about building creative scenes, check it out:
The White Bear's Making a Scene

Monday, January 30, 2017

Over under wall ride in 1990


Ever go through old photos or magazines and find something you totally forgot about?  This is one of those.  Since I started working on the DIY book based on this blog, I finally got around to capturing some stills from the BMX footage of mine that has survived thanks to the internet.  This is a still of Randy Lawrence doing a wall ride over me doing a wall bounce at the Blues Brothers Wall in Huntington Beach, CA.

This is one of many walls north of the HB pier, and this one happened to have both a lip to hit it on the far left side, and the least sand in front of it, which made it possible to hit it.  The wall is also a bit under-vert.  I never measured it, but it's about 80 or 85 degrees, which is just enough to make it easy to go much higher than a true vert wall.  But only Randy, and later Dave Clymer, could get near the top of it.  I honestly forgot just how high Randy Lawrence was going until I stilled this on the video.  Even better, I'm pretty sure this is the first over/under wall ride ever documented.  When I googled that last night, looking for other double wall rides, I couldn't find any.  There was one photo of two guys on a banked wall, maybe 60 degrees steep, but that was it.

When I made that video in 1990, the rider-made video movement wasn't even a movement yet.  Eddie Roman had made a student film, Aggro Riding and Kung Fu Fighting and Aggroman.  I had produced six AFA contest videos in 1987 and edited the 1988 2-Hip season video, now on You Tube as 2-Hip BHIP.  I think Mark Eaton made the first Dorkin' in York, edited on VHS working with 2 VCR's wired together.  Videos made by riders were still a brand new thing, and we were making it up as we went.  All of these videos had a lot of things never seen by riders before in videos.  Not only were we documenting progression in riding itself, but we were documenting the growth and progression of street riding, the changes in ramps, and progressing in video producing itself.  We were literally just making this shit up as we went along, just like we'd done with zines a few years before.

 There were several firsts in The Ultimate Weekend, but the double wall ride is one I totally forgot about.  I'm pretty stoked on that.  If anyone else has pics of a double wall ride back in the day, show me on Facebook.  There must be some other ones out there somewhere.

My main blog these days is about building creative scenes, check it out:
The White Bear's Making a Scene

Friday, January 13, 2017

Rooftop is still ragin'

Watch the new Mike "Rooftop" Escamilla edit from United Bikes on Dig BMX.

I haven't told many stories of the infamous P.O.W. House.  Here's one.  In about '93, we had the King Roach, Mr. Didog himself, ruling the world from his couch in the living room of the P.O.W. House.  Since work was kind of a pain in the ass, but food was necessary, Didog dreamed up a plan.  He'd let the local kids ride our backyard ramp in exchange for a can of food each from their mom's kitchen.  Strict no beets rule.  What could possibly go wrong? 

Didog was eating like a trailer park king for about two weeks, until the damn little brats started fighting each other in our backyard, and mini-vans with angry parents showed up.  So much for the local munchkins.  But there were a couple of slightly older kids that came over to actually ride.  Both of the kids were pretty good back then.  One was Brian Castillo and the other was Mike "Rooftop" Escamilla.  I asked one of the guys in the house where Mike's nickname "Rooftop," came from.  He told me, "That kid's so crazy that one of these days he's gonna kill himself out riding and we're gonna have to tie his bloody, broken, corpse to the rooftop of the car to get him home."  I don't know if that's the real story, but after seeing him ride, even back then, it sure made sense.  Now, about 24 years later, it STILL makes sense.  Another great clip Mike.  Hope you're you're not relying on Obamacare in 2017.

My main blog now is about building creative scenes, check it out:
The White Bear's Making a Scene

Monday, January 9, 2017

Mike Dominguez BLASTING airs in 1988



I've been going through old video clips for research on my book, and I saw this one pop up on the side on You Tube.  Had to watch it.  I was at this contest watching this.  The ramps are both 8 foot high quarters with no vert, I know, I've helped set these ramps up.  This is Mike Dominguez at his peak.  Before Simon Tabron and Jamie Bestwick and Kevin Robinson and Dave Mirra and when Mat Hoffman was just a hot up and coming (though already full factory) amateur, was Mike Dominguez.  The railing on these ramps are exactly four feet high.  His first air is a solid 12, maybe 13 feet out.  His 540 is AT LEAST 8 to 9 feet out if you count by lowest point of the bike, like many did at the time.  If you go by sprocket height, it's 10, maybe 11 feet out.  I think this is the highest 540 I've ever seen done live.  EVER.  This isn't footage I shot, but I'm sure glad somebody shot it.  These are some of the highest airs ever, by anyone, on the AFA era 8 foot quarterpipes.  Austin, Texas AFA Masters 1988.  Enjoy.

My main blog now is about building creative scenes, check it out:
The White Bear's Making a Scene

Recent BMX drawings

 Here's the three I've done over the last few months.  On the left is my take on a classic early photo of then Haro pro Ron Wilkerson.  Top right is my color take on one of my favorite street photos ever, the epic black and white shot of Vic Murphy launching a one foot tabletop off a curb jump.  Bottom right is my color drawing of the best photo I've ever taken, a B & W panning shot of Dave Vanderspek on his GPV (gravity powered vehicle) at the Palm Springs Tramway race and ramp jam in 1987.  I do sell these drawings, and I'll also be giving some away now and then to people who buy my BMX magnus opus:  Freestyle BMX Tales: The Book. 
 Here's a closer look at the Wilkerson drawing.  I usually add words and phrases to my drawings.  In this case, a bunch of things Ron contributed to BMX freestyle.  All three of these drawings are 18" X 24", and all done in my unique "scribble style" with Sharpies on paper.
Vic top, Vander bottom, slightly closer up pic.  You can see more of my work on my art blog: Steve Emig Art.

My main blog now is about building creative scenes, check it out:
The White Bear's Making a Scene