Martin Aparijo's Quaterpipe Session

I'm continuing on with my 25th anniversary look back at my 1990 self-produced bike video, The Ultimate Weekend.  Today's bit is a short but great session at Martin Aparijo's house.  It starts at 29:08 in the video above. 

As I've said a few times before, when I started taking my video camera different places to shoot video, several riders wondered what the hell I was doing.  Back then, as a rule, only established companies made videos.  But as spring turned into summer, word got around that I was making my own BMX freestyle video, and I got offers to go shoot different places.  I don't really remember how it happened, but I think I ran into flatland legend Martin Aparijo somewhere, told him I was making a video, and he told me he had a quarterpipe, and that I should come by some day and shoot video.  Something like that.  So I did. 

I went there with Keith Treanor and John Povah, and we pulled up at someone else's house first, to find Steve "Bio Air" Bennett and another guy playing "Dueling Banjos."  I pulled out my camera and started shooting.  Steve Bennett was a early skatepark rider, as you can tell from his yellow ASPA shirt.  That stands for American Skate Park Association, which was what Bob Morales created when he first put on bike contests at the skateparks.  The ASPA was the predecessor of the AFA.  So that T-shirt was already old school in 1990.  I'd never met Steve B. before, so that was a cool bonus. 

Then we drove over to Martin's house nearby.  Martin (white helmet), Todd Anderson (black cap backwards), and Jess Dyrenforth (turquoise shorts) were already there riding.  Keith Treanor (black cap forwards), and John Povah (white cap) joined the session. 

The ramp was a weird one for that time.  It was about six or 6 1/2 feet high, and under vert.  At a time when no BMXer anywhere had a mini-ramp yet, and when vert halfpipes were usually 9 to 10 feet high, this ramp was odd.  But that led to a great lip trick session.  Keith's ice pick was a pretty new trick then, as was Jess's nose pick to fakie.  Todd's barspin abubacas were something I'd never seen before, as was Jess's peg disaster.  Then Martin blew all our minds by flying out on the roof.  Most of us 80's riders think of Martin as a pure flatland rider of the time, but he was a former magazine test rider and a good jumper.  In fact, for years Martin claimed to have done the first front flip off a jump.  It was a steep jump with a really soft landing, he said, and as was typical then, no one shot video.  It seemed ridiculous at the time, but he swore he landed one or two.  Of course, now we know that front flips and even front flip variations are possible, so Martin's story is more believable.  Hell, they even front flip motorcycles now, which is beyond insane. 

In any case, this little QP session got me a few more firsts on video, and added Martin and Steve "Bio Air" Bennett to the list of riders in the video.  Strangely enough, years later I ran into Martin, after not seeing him for quite a while, and his first comment was, "remember when you shot video on my ramp that day?"  This short but awesome session stuck out in his mind as well. 

A Different Kind of Pool Party

I'm continuing with my 25th anniversary look back at my 1990 video, The Ultimate Weekend.  We're up to one of my favorite sections of the video, the Nude Bowl section.  This week's clip is at 26:56 in the video above.  I'm skipping the wall fakie bit.  After the flyout jumping in last post's segment, there's a section of Keith Treanor, John Povah, and Alan Valek with a small ramp against the back of a shopping center in Garden Grove, CA.  I think John built the ramp, and they'd been sessioning this spot now and then, so I went along to shoot video.  Keith's wall fakies here are about as big as anyone was doing wall fakies at the time, and I was pretty amazed.  John and Alan add their own style to the session, and then some dumbass neighbor called the cops.  Typical.  By this point, I made it a rule to always keep the camera going when police showed up, which was actually a pretty new idea then.  Few guys were shooting video then, and rarely did we shoot somewhere that could garner a call from the 5-0.  This cop turned out to be about the coolest one we ever ran into, which is part of why I put him in the video.

OK, then we get to the Pool Party.  When I was editing this, halfway through the week long edit session in the back of a video store in Hermosa Beach, I decided I wanted to make this section an actual music video as much as I could.  For the young kids out there, there used to be this TV network called MTV, and back in the olden days they actually played music videos all day long.  But there had been no video with BMX freestyle on MTV.  Only Tom Petty's "Freefallin'" and a single obscure punk video ever showed skateboarding in a video.  So I was determined to make this section as a stand-alone music video that I was going to try and get played on MTV.  That was my thinking while I edited.

First, let me tell you about this song and band.  Believe it or not, it all starts with street skating legend Mark Gonzales.  He walked into an indy record shop, probably Vinyl Solution in HB, and found a punk album and bought it just because he liked the cover art.  When Unreel needed the skaters to find music for a skate video, Mark brought the album in to Unreel Productions, Vision's video company, where I happened to be working at the time.  The album was by a Toledo, Ohio punk band called The Stain, led by musician Jon Stainbrook.  So someone at Unreel called Jon to get permission to use the song in a video.  At the time, Unreel was searching all over for underground bands to get music to use in videos.  People didn't really bootleg music then, particularly professional production companies like Unreel.  Some of the "unknown" bands Vision approached for music rights included Agent Orange, Anthrax, Joe Satriani, musicians from Oingo Boingo, No Doubt, The Offspring, Big Drill Car, The Descendents/All, and many others.  Some bands were totally stoked to have their music in a skate video, and some bands were complete assholes and wanted absurd amounts of money to use a single song.  Then there was The Stain.

Jon Stainbrook was a positive thinking part of the punk scene, and nearly every band traveling through Ohio stayed at his house while in Toledo.  So while The Stain wasn't one of the best known punk bands in the late 80's national scene, pretty much every other band knew Jon and The Stain well from their travels.  But unlike many, Jon also had a businessman side to him.  When Unreel called about the rights to a single song that Gonz liked, Jon saw an opportunity for make some money to finance his own pursuits.  He sent us tapes with a whole bunch of tracks to choose from, and asked a reasonable price for the rights to use them in videos and TV shows.  Since his musicians, namely Mark and Jeff were incredible musicians with varied tastes and abilities, The Stain became composers of all different kinds of music for Unreel.  I was just a peon at Unreel, but it seemed to be a really good deal for both parties.  So for a couple of years, I was dubbing tapes with many different variations of music by The Stain on them.  When it came time for music for my own video, I was way too afraid to bootleg music, which became the norm a couple years later.  I called Jon, and he sent me a wide variety of tracks and we set a price.  Full disclosure, I never did pay him all the money I owed him, but I paid about 2/3 of it.  So if I ever win the lottery, Jon is one of the first people to get a check.

When I first listened to the tape he sent me (remember cassettes old timers?), the song "Pool Party" was my favorite.  When I asked him about it, he said he wrote it for some skater friends.  But it worked perfect for a bike pool party as well.

Months before all that editing and song picking took place, I would join forces with riding buddy/photographer Mike Sarrail, and the then unknown and chronically unemployed rider Keith Treanor, and we'd go shoot video somewhere almost every weekend.  I first heard about the Nude Bowl, and saw footage of it, from the Vision skaters.  That was one of the best perks of my job at Unreel, I made copies of every piece of raw footage that came in.  So I saw new pools and spots when they were still secret, and often the skaters would tell me where they were.  That's how I learned about and the directions to the infamous Nude Bowl.

As the legend has it, the Nude Bowl ruins the bikers and skaters loved had once been a nudist colony high on a desert hill in the general area of Palm Springs and Desert Hot Springs, California.  For some reason, the nudist colony went out of business, and skaters found the pool and began spray painting and sessioning it.  The great thing about the Nude Bowl was that you could drink beer, camp out, light a fire, and nobody gave a damn.  It was in such an obscure place, that police didn't care what happened there, unless the couple neighbors on the entry road got pissed off for some reason. 

This trip in this clip was my 3rd trip there, and I was totally stoked I got skatepark legend Brian Blyther, and his friend and Pipeline local, Xavier Mendez to show up.  It was between 100 and 105 degrees out that day, and it was scorching weather to ride in.  The only drawback to the Nude Bowl was that there was no shade.  In any case, I got out the video camera, Mike got his still cam, and Brian, Xavier (long hair), Keith, and John Povah sessioned the pool.  After shooting from several different angles, I had to get on my bike and ride myself.  Although I could never do a decent air to save my life, I loved carving pools.  To give you an idea of the gnarliness of the pool, you'll notice that Brian only gets about three feet out.  The pool had a weird transition, about nine feet including a foot of vert, and pool coping.  Although Keith, John, and Xavier could do do decent airs on ramps, none got very far out of the pool.  We sessioned, drank water, and sessioned some more for two or three hours, and all had a good ol' time.

When it got down to editing this segment months later, I realized that the other riders were just riding the Nude Bowl like a quarterpipe.  That's cool, but it's a POOL.  You gotta CARVE.  So I used a few clips of myself carving (in the Vision Street Wear shirt) to fill out the segment and show some carving.  At that time, in 1990, there were NO skateparks in Southern California.  To the best of my knowledge, there were no pools open to bike riding ANYWHERE in the U.S..  Underground legend Mike Tokemoto was out there sessioning pools with a couple friends, but no one else was. 

All in all, I was pretty stoked on how this Nude Bowl segment came out, although I never did find a way to get it aired on MTV as a music video.  Mostly, I just wanted to remind BMXers that there were a few empty pools still out there, and that they were a blast to ride.  Mission accomplished.